|
Filming efforts to save the Appalachians in Mountain Top Removal
Misty mountain hopes
19 MAR 2008 • by Neil Morris
Landscape without mountain, a common sight in the Appalachians.
Photo courtesy of Haw River Films
Mike O'Connell's introduction to coal mining culture came at an early age and in a most inauspicious way.
"Growing up in Reston, Va., my family and I would often travel on the weekends to West Virginia," remembers
O'Connell. "When I was about 8 years old, we were visiting the Capon Bridge area, and I remember hearing people discussing
how a person's house had been dynamited to make way for a coal mine. That story always stayed with me."
When O'Connell, now a burgeoning filmmaker, began looking for a new project several years ago, he recalled both that incident
and news accounts about an insidious new form coal mining known as mountain top removal (MTR). O'Connell's research eventually
led to him to the Mountain Justice Summer activist group and, eventually, West Virginia's Coal River valley. There, over the
course of two years, O'Connell filmed the beleaguered citizens who comprise the core of his documentary, Mountain Top Removal,
which will be screened Thursday, March 20, at the Central Carolina Community College (CCCC) campus in Pittsboro.
Among those featured are a man fighting to force the state to build a new elementary school away from a nearby coal-slurry
pond ("None of the teachers' children attend the school," observes O'Connell), a woman living on land she cannot
sell because the well water is polluted, and a town trying to preserve its history and geography against an encroaching MTR
mine.
"Being around those people was so inspiring," says O'Connell. "They are fighting for their lives and homes
against this destructive form of mining. I have been to former strip mining sites that are over 50 years old, and trees will
grow back there. However, [MTR] actually changes the geology of the area and cuts off the tops of mountain peaks. Those do
not grow back."
Although MTRs date back to the 1970s, O'Connell says recent policies and administrative rulings have caused a proliferation
of the practice during the past eight years. "When I was filming in West Virginia, the feeling I got was that the pace
of MTR was rapidly increasing, almost as if the coal companies were trying to get what they could while the [Bush] administration
is in office."
An incident last month illustrates this point. Mountain Top Removal was invited to screen at a film festival in Ljublajna,
Slovenia. However, upon landing in Slovenia, O'Connell learned that U.S. officials, apparently after taking a closer look
at his film's content, had attempted to withdraw a government travel grant before festival organizers intervened on his behalf.
O'Connell got his early audio/ video training decades ago in Washington, D.C., while working at "Blue Alley,"
a venerable dinner and jazz nightclub in Georgetown. "Back then, Dizzy Gillespie, Stan Getz and Sarah Vaughn would play
there, and they usually didn't bring their own light-and-sound crew, so I got to work up-close with all these greats."
After moving to Pittsboro in 1990, O'Connell spent 15 years working as a staff photographer for UNC-TV before venturing
into independent filmmaking. His first project, GrassRoots Stages, spent a brief run on PBS.
Since the film's first screening (also at CCCC, where he paid $300 to rent the facility), O'Connell has shown his film
worldwide, most recently at the Cleveland International Film Festival. It won the award for Best Documentary at last year's
Charlotte Film Festival, and it has been nominated for a Reel Current Award at next month's Nashville Film Festival, where
the winner will be selected and presented by Al Gore.
The final cut of the film now includes a narration by actor William Mapother (Lost; In The Bedroom). This time, the CCCC
screening will carry a $5 ticket price will benefit the effort to build the new elementary school in West Virginia. "And,"
quips O'Connell, "I don't have to pay rent this time."
For more information, go to www.hawriverfilms.com.
Film Clips | Judith Egerton
Documentary director shines light on coal mining industry
By Judith Egerton • jegerton@courier-journal.com • January 28, 2008
If you think coal-mining has nothing to do with you, think again.
All of us who consume water and use electricity have a direct relationship with the miners and the companies that produce
coal.
Cinematographer and director Michael Cusack O'Connell of Pittsboro, N.C., has made a documentary that makes the connection
indisputably vivid. He'll be in Louisville Thursday night to show his film and talk about it.
"Mountain Top Removal," a fundraising presentation by and for the nonprofit Louisville Film Society, examines
the costs and consequences of mountaintop removal mining on the people, mountains and culture of southern Appalachia.
The 74-minute documentary will be screened at 6 p.m. at the Clifton Center, 2117 Payne St. Admission is $10.
Shot over two years, the film follows citizens and conservation groups as they oppose the coal industry's methods and
the toxic waste produced in the process of stripping the Appalachian mountaintops.
The film features Jeff Goodell, author of the best-seller "Our Story: 77 Hours That Tested Our Friendship and Our
Faith," about the nine trapped Quecreek miners, as well as conservationists, geologists, West Virginia Coal Association
President Bill Raney, President George W. Bush, West Virginia Gov. Joe Manchin and others.
O'Connell is a two-time Emmy Award winner for his cinematography work on "Watch Me Play," a history of women's
professional basketball, and "AMA-Zone," a children's program about the Amazon rain forest.
"Mountain Top Removal" won the best documentary award at last year's Charlotte (N.C.) Film Festival and the
Jury Prize at The Wild and Scenic Film Festival in Nevada City, Calif., considered the world's largest environmental film
festival. The executive producers of the documentary were Augusta and Gill Holland of Louisville.
On the Web: www.louisvillefilm.org.
Review by Steve Fesenmaier Graffti Magazine Dec 19 2006
Mountaintop
Removal- a new film from North Carolina
Michael C. O’Connell
of Haw River Films has created an excellent new
film about the environmental devastation known as “mountaintop removal
mining.” In less than an hour a viewer sees both the pro and con, the
natives who are affected and the New York City writers who all have very
definite opinions about the American way of producing electricity.
One
of the best things about this film is that pro-coal experts like
Bill Raney, the president of the WV Coal Association, have their say –
and experts tell viewers the scientific truths which directly contradict
Raney’s statements.
This film is a welcome addition to other environmental films on
MTR
including Robert Gates’ two films, “All Shaken Up” and “Mucked,” Sasha
Water’s “Razing Appalachia,” Catherine Pancake’s “Black Diamonds,”
“Moving Mountains” by Pa. school kids and B.J. Gudmundsson and Allen
Johnson’s “Mountain Mourning.” I know of three other films on the
subject that I look forward to watching.
There is an impressive list of experts including the well-known
activists Larry Gibson, Julia Bonds, Maria Gunnoe, Allen Johnson and Ed
Wiley, the grandfather of a girl who attends Marsh Fork Elementary. The
experts include Jeff Goodell who wrote the cover story for the NY Times
Sunday magazine and then “Big Coal,” Dr. Ben Stout, a Ph.D. from
Wheeling Jesuit University, Dr. Schiffin from Williamson, a MD who cares
for the residents injured by the pollution caused there by MTR, and Dr.
Peter Huff from Duke. These interviews add great weight to the argument
that the people of Appalachia are truly losing their health and
environment in horrible ways not described by Mr. Raney.
The single biggest hero of this film is Ed Wiley who is shown meeting
with Gov. Manchin and marching from Charleston to Washington, DC to
promote awareness of what is happening to his grandchild and all of the
children attended the threatened grade school. The next biggest hero is
Larry Gibson who is shown leading a march to a second family cemetery
already surrounded by the huge MTR site so well known to activists. I
have not seen it before, but the large group that had to walk over
company land to gain access to the second family cemetery is a truly
poignant reminder of what is being lost.
Several other pro-MTR people are also interviewed including one
man who
says that it is dangerous for “outsiders” to “interfere.” His comments
really reminded me of the people interviewed for “Eyes on the Prize” and
other Sixties documentaries on the race war that engulfed the South. One
activist indeed talks about the “all out war” that is now taking place
in Appalachia – and thanks to publications such as Vanity Fair, The US
News (both criticized by Raney), the NY Times and many other national
publications and all of the films on MTR, national and international
awareness is finally being achieved.
I particularly enjoyed the soundtrack of this film that includes
music
by Donna the Buffalo, Julie Miller, John Specker and Sarah Hawkes.
Hopefully Haw River Films will release it as a CD. This is no accident
since they earlier produced a film, “Grass Roots Stages” about a large
number of musicians including Donna the Buffalo (who recently visited
Charleston.) Other films they have produced include “Art in Motion,”
Review by Tim Thornton Roanoke Times Feb 13 2007
It's a straightforward documentary with a straightforward title:
"Mountain Top Removal."
It ties more threads more tightly together than perhaps any other film account of mountaintop removal coal mining.
People familiar with the subject will see many familiar faces. Julia Bonds, the
Coal River Valley resident and 2003 recipient of the Goldman Environmental Prize, an international prize honoring grass-roots
environmentalists, is here. So is Allen Johnson, co-founder of Christians for the Mountains.
Ed Wiley, who confronted West Virginia's governor and then marched from Charleston to Washington, D.C., to raise awareness
of the threat a coal mine and sludge pond pose to his granddaughter's elementary school, plays a big role. So does Maria Gunnoe,
who says 5 acres of her family's land have been washed away since a mountaintop removal mine increased the frequency and intensity
of flooding by a nearby creek.
Larry Gibson, whose family land on Kayford Mountain is surrounded by mountaintop removal coal mines, is prominent. So is Carmilita
Brown, whose well was contaminated by a mountaintop removal operation.
The pro-mining forces get their say, but they definitely land on the short end of that stick. It's up to viewers to decide
whether the filmmakers or the weakness of their pro-coal arguments are the reason.
Viewers with a quick eye will spy Blacksburg activist Erin McKelvey
and some coal cars manufactured at the old East End Shops in Roanoke.
Jeff Goddell, author of "Big Coal," admits that he didn't know anything about the situation in Appalachia until The New York
Times Magazine sent him into West Virginia in 2001.
"Like many Americans, until that moment, I didn't ever realize we still burned coal," Goddell tells the camera.
He thought that went out with top hats and corsets, Goddell says.
But the best lines come from Wiley. "It don't grow back," he says
of a decapitated mountains.
And from Gibson, who has been fighting the big mining companies for more than two decades.
"They was always hope," he says, standing on his patch of green encircled by blasting and dozers and giant haul trucks. "Cause
that's all I had."
Review by Rich Copley, Mar. 11, 2007
Lexington Herald Leader
.
Coal mining practices and dangers are shown on the big and small
screens.
Mountaintop removal can seem like a distant, incomprehensible issue to
those of us who don't live in Appalachia. But to those directly
affected by the practice, passions run high.
Mountaintop Removal,
a documentary by North Carolina filmmaker Michael C. O'Connell, illuminates the topic in compelling fashion by telling
the stories of people directly affected by the mining method.
The film gives voice to both sides of the issue, although it comes
down
firmly on the anti-mountaintop removal side. That's illustrated by one
segment in which a representative of the West Virginia Coal Producers
Association, Bill Raney, insists there's nothing wrong with coal
slurries, one of the after-effects of mountaintop removal. He is
immediately followed by Ben Stout of Wheeling Jesuit University, who
enumerates the toxins, including arsenic, in slurries that seep into
wells.
You have to wonder whether Raney knew that every one of his statements
would be contradicted with overwhelming evidence when he granted the
interview. The scads of people speaking in opposition to mountaintop
removal and the coal companies include West Virginia residents affected
by the practice and scientists and journalists who have taken up the
cause.
Does the coal industry come across badly because of the filmmakers'
agenda, or is their position that indefensible? Viewers will have to
decide.
If the issue seemed a bit amorphous before seeing the film, it is much
more concrete after. And it's worth a look at the Central Library
Theatre at 7:30 p.m. Wednesday. The screening is free.
|
